Keith Haring鈥檚 admiration for graffiti art and his interest in semiotics鈥攖he theory of signs鈥攊nfluenced the development of his signature pictographic style. For Haring, art was a tool for communication with a wide audience.
In 1983, Haggerty Museum of Art Founding Director Dr. Curtis Carter invited Haring to create a mural on the fence that enclosed the museum鈥檚 construction site. The artist spent three days in Milwaukee under the eyes of a very interested public. This installation presents eight of the fence鈥檚 24 sections. Haring painted both sides of the fence, sometimes with the help of 蜜桃影像 students.
One side of the fence features a lively and crowded composition of dancing and twisting figures or animal-figure hybrids, with "MARQUETTE" emblazoned on one end and a large, three-eyed smiling face on the other. The reverse side of the fence repeats two of Haring鈥檚 trademark characters: the Barking Dog and the Radiant Baby. Haring hoped that Construction Fence would 鈥減rovide enjoyment, provoke discussion and energize people.鈥�
The has created an immersive, mixed reality experience based on Haring鈥檚 Construction Fence. To begin your experience, place the Microsoft HoloLens on your head, adjusting the wheel on the back of the headset until the HoloLens fits comfortably and the virtual image is centered in your field of vision. Then, while looking directly at one of the panels, follow the on-screen instructions to experience digital photographs and videos that contextualize this remarkable work of art.
Special thanks to Chris Larkee, a visualization technology specialist in 蜜桃影像鈥檚 College of Engineering.
The Keith Haring Construction Fence Mixed Reality Experience is made possible through generous support from the Patrick and Beatrice Haggerty Foundation.
